Tuesday, April 20th, $6
The Red Room
at Normals Books and Records
425 E. 31st Street Baltimore
Doors open at 8:30
at Normals Books and Records
425 E. 31st Street Baltimore
Doors open at 8:30
Cellist Charles Curtis, plus "Deacon at Bernie's"
Charles Curtis is one of the most important 'cellists in new music. He has had works written for him by La Monte Young (Curtis being his foremost interpreter), Eliane Radigue and Alvin Lucier and is likewise experienced in more traditional classical music, having served as first solo 'cellist of the Symphony Orchestra of the North German Radio for over 10 years. That's not all! He's performed at all the cool weirdo clubs in New York (Tonic, Knitting Factory, CBGB's etc.) and collaborated with people like Elliott Sharp, David First, Bongwater and Borbetomagus.
Deacon at Bernie's is a collaboration between Baltimore musicians Dan Deacon (electronics) and Andrew Bernstein (saxophone, Teeth Mountain). Deacon is best-known for his more pop-oriented solo work, the subtle experimentalism of which comes full flower in this collaborative context with Bernie's nurturing saxophone. The two will be accompanying, modulating or overtaking three short films by Lillian Schwartz and Stan Van Der Beek, lovingly chosen by local experimental film maven Mary Helena Clark.
Deacon at Bernie's is a collaboration between Baltimore musicians Dan Deacon (electronics) and Andrew Bernstein (saxophone, Teeth Mountain). Deacon is best-known for his more pop-oriented solo work, the subtle experimentalism of which comes full flower in this collaborative context with Bernie's nurturing saxophone. The two will be accompanying, modulating or overtaking three short films by Lillian Schwartz and Stan Van Der Beek, lovingly chosen by local experimental film maven Mary Helena Clark.
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